Introduction
贝多芬晚期作品何以不同凡响？
贝多芬的晚期作品，呈现出完全不同的境界，他的最后几首弦乐四重奏和钢琴奏鸣曲达到了前无古人，后无来者的地步。这首第32号钢琴奏鸣曲，贝多芬在此将他的精神世界完全遗交给我们，用它讲完了他能用奏鸣曲式所讲的一切。这首作品的感情和精力都极为精炼紧凑，把一切条框约束都抛至一边。壮丽的第一乐章之后，是一个远离尘俗境界的第二乐章。在这天乐之后，曲意全尽，不再需要一个机智的谐谑曲和热闹的末乐章了。
"贝多芬第32号奏鸣曲" is a MIDI music piece in Classical Music style, played by Acoustic Grand Piano solo.
The total duration of this midi music is 21 minutes and 0 seconds, with a total of 13,470 notes, divided into 6 tracks, the initial tempo is 95bpm, the min tempo is 20bpm, the max tempo is 143bpm.
The key signature marked in the MIDI file is C major, marked beats are 4/4、3/2.
Some MIDI events such as pitch wheel, Pan, Sustain pedal, Channel Volume Control are used, to enhance the quality.
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| Composer: | 贝多芬 |
|---|---|
| Ratings: |
Standard Midi File Properties
-
Standard
GM1 -
File format
MIDI TYPE 1 -
File size
126.95 KB -
Duration
21:00 -
BPM
20 - 143 -
Tracks
5
Channels and Instruments
Used 5 channels, 1 instrument
-
Acoustic Grand Piano
4,477 notes/chords，avg. pitch F5
Program ID: 0, Track: 1time: 00:04 - 20:58
pitch: B1 - D#7
-
Acoustic Grand Piano
1,905 notes/chords，avg. pitch G#4
Program ID: 0, Track: 2time: 00:04 - 20:58
pitch: G1 - F6
-
Acoustic Grand Piano
1,348 notes/chords，avg. pitch F#3
Program ID: 0, Track: 3time: 02:26 - 20:01
pitch: G1 - C6
-
Acoustic Grand Piano
471 notes/chords，avg. pitch B3
Program ID: 0, Track: 4time: 00:12 - 20:39
pitch: F#2 - G5
-
Acoustic Grand Piano
3,872 notes/chords，avg. pitch E3
Program ID: 0, Track: 5time: 00:02 - 20:58
pitch: C1 - F6
Tracks
6 tracks are used, 5 tracks have notes
| # | Name | Channel(s) | Instrument(s) |
|---|---|---|---|
| 0 | Untitled | ||
| 1 | No Name | 2 | Acoustic Grand Piano |
| 2 | No Name | 3 | Acoustic Grand Piano |
| 3 | No Name | 4 | Acoustic Grand Piano |
| 4 | No Name | 5 | Acoustic Grand Piano |
| 5 | No Name | 6 | Acoustic Grand Piano |
Related MIDI music
Ratings
大佬太强了，感谢分享
贝多芬晚期作品何以不同凡响？
贝多芬的晚期作品，呈现出完全不同的境界，他的最后几首弦乐四重奏和钢琴奏鸣曲达到了前无古人，后无来者的地步。这首第32号钢琴奏鸣曲，贝多芬在此将他的精神世界完全遗交给我们，用它讲完了他能用奏鸣曲式所讲的一切。这首作品的感情和精力都极为精炼紧凑，把一切条框约束都抛至一边。壮丽的第一乐章之后，是一个远离尘俗境界的第二乐章。在这天乐之后，曲意全尽，不再需要一个机智的谐谑曲和热闹的末乐章了。
good
感谢大佬
好好好