Introduction
曲名 恋になりたいAQUARIUM
想在AQUARIUM恋爱
别名 白色水族馆
白になりたいAQUARIUM、厄爆水族馆、水虎传
作词 畑 亜貴
作曲 佐々倉有吾
编曲 渡辺和紀
歌手 Aqours:
高海千歌(伊波杏樹)
桜内梨子(逢田梨香子)
松浦果南(諏訪ななか)
黒澤ダイヤ(小宮有紗)
渡辺曜(斉藤朱夏)
津島善子(小林愛香)
国木田花丸(高槻かなこ)
小原鞠莉(鈴木愛奈)
黒澤ルビィ(降幡愛)
(Center:渡边曜)
站位 鞠莉 果南 黛雅 千歌 曜 梨子 善子 露比 花丸
BPM 120→139
收录单曲 《恋になりたいAQUARIUM》
音轨2 待ってて愛のうた
音轨3 届かない星だとしても
“ 想不断靠近你(近づきたいな) I miss you!
\イェッタイガー/
”
想在AQUARIUM恋爱(恋になりたいAQUARIUM)是Aqours组合的第二张单曲《恋になりたいAQUARIUM》中的同名歌曲。
简介
由第一回总选举中胜出的渡边曜担任本曲Center。
这张单曲中附带了本歌曲的PV动画,于2016年4月27日发售。
由于在PV动画中千歌分别和梨子、曜都有很亲密的互动,并且也有三人误解的镜头,因此被称作白色水族馆。
在本曲的PV中,背景三次变色成为值得注意的地方。第二段副歌开始之前整个环境背景变为橙色蜜柑色,并在这段副歌结束的时候变成樱色。在间奏结束之后,随着第三段副歌开头曜的独唱,环境背景变成曜的蓝色,同时出现一道蓝色向前延伸的光路,效果甚是震撼。
不过因为和μ's二单PV有一些相似之处,也成为了部分听众议论的话题。
在歌曲披露后,许多粉丝就开始想象着在Live现场能看到三次变色的场景。然而1st上除了曜solo处全场变蓝之外剩下两次都失败了
在2017年11月18日的韩国LIVE & FAN MEETING上,韩国的LLer们齐心协力,首次用应援棒顺利地还原了Yosoroad光路。他们为接下来日本本土以及大中华地区FMT的民间变色企划带了个好头。
几乎每次live都会出现丧心病狂的mix(@西武动物园 @浅水湾动物园 @江南动物园 @静安动物园 @广州南方动物园 @梅奔大动物园 @虹桥动物园 ),可谓虎啸震天。
“近づきたいな I miss you”的下一句是什么!?(举枪)\イエッタイガー/ 砰!
Lyric
E G D C D Esus4 E E D C#m B A G#m C#7 A F#7/A# B D Bm F#m G F#m B G F#m Em G A D G A G A F#m G F#m B G F#m Em G A D GM7 A F#7 B C Em F#m G G#dim A F# B Esus4 E G#m7 C#m B A G#m7 C#7 A E/G# F#m7 A/B Esus4 E G#7 C#m7 B F#/A# B A C# A E/G# F#m7 B E A B C B G#m C#7 A F#7/A# B D G F#m G F#m B G F#m Em G A D GM7 A F# B C Em F#m G G#dim A F# Esus4 E G#m7 C#m B A G#m7 C#7 A E/G# F#m7 A/B Esus4 E G#7 C#m7 B F#/A# B A C# A E/G# F#m7 B E A B C B Em C D Em C D A B E C D E C D C B A E/G# A B E E/G# A B E B C
Composer: | 佐々倉有吾 |
---|---|
Ratings: |
Anime/game music LoveLive!Sunshine!! love live lovelive ラブライブ ラブライブ! Aqours ラブライブ! サンシャイン!!
Standard Midi File Properties
-
Standard
GS -
File format
MIDI TYPE 1 -
File size
136.1 KB -
Duration
05:07 -
BPM
118 - 138 -
Tracks
27 -
恋になりたいAQUARIUM ("ラブライブ! サンシャイン!!") - Aqours.mid MIDI download
Channels and Instruments
Used 15 channels, 18 instruments, 10 percussion instruments
-
Synth Bass 2
951 notes/chords,avg. pitch A#1
Program ID: 39, Track: 1time: 00:25 - 05:03
pitch: B0 - A3
-
Synth Strings 1
353 notes/chords,avg. pitch D#4
Program ID: 50, Track: 2time: 00:03 - 05:03
pitch: C2 - E6
Ensemble Strings
405 notes/chords,avg. pitch D#5
Program ID: 48, Track: 3time: 00:04 - 05:03
pitch: E1 - C7
-
Clarinet
649 notes/chords,avg. pitch F#5
Program ID: 71, Track: 4time: 00:32 - 04:39
pitch: A#4 - C#6
-
Lead 2 (sawtooth)
205 notes/chords,avg. pitch D#4
Program ID: 81, Track: 5time: 00:25 - 03:52
pitch: E2 - C#6
Lead 1 (square)
603 notes/chords,avg. pitch F4
Program ID: 80, Track: 6time: 00:19 - 04:56
pitch: C3 - F#6
-
Lead 1 (square)
78 notes/chords,avg. pitch D5
Program ID: 80, Track: 7time: 00:39 - 03:56
pitch: C4 - B5
Synth Strings 1
111 notes/chords,avg. pitch A4
Program ID: 50, Track: 8time: 00:39 - 03:36
pitch: E3 - B5
-
French Horn
16 notes/chords,avg. pitch E4
Program ID: 60, Track: 9time: 00:08 - 00:23
pitch: G3 - B4
Syn Brass 1
377 notes/chords,avg. pitch B4
Program ID: 62, Track: 10time: 00:25 - 05:03
pitch: F#3 - C8
-
FX 3 (crystal)
137 notes/chords,avg. pitch B6
Program ID: 98, Track: 11time: 00:02 - 04:55
pitch: E3 - A8
Orchestra Hit
82 notes/chords,avg. pitch G4
Program ID: 55, Track: 12time: 00:25 - 05:03
pitch: B3 - E5
-
Distortion Guitar
1,548 notes/chords,avg. pitch E3
Program ID: 30, Track: 13time: 00:25 - 05:04
pitch: E2 - F5
Overdriven Guitar
491 notes/chords,avg. pitch A#3
Program ID: 29, Track: 14time: 00:25 - 05:03
pitch: E2 - F#5
-
Bright Acoustic Piano
1,794 notes/chords,avg. pitch A3
Program ID: 1, Track: 24time: 00:25 - 05:03
pitch: E1 - D#6
-
Bright Acoustic Piano
791 notes/chords,avg. pitch D#4
Program ID: 1, Track: 15time: 00:25 - 05:03
pitch: E2 - E5
Electric Guitar (muted)
866 notes/chords,avg. pitch F3
Program ID: 28, Track: 16time: 00:39 - 04:55
pitch: E2 - B4
-
Distortion Guitar
310 notes/chords,avg. pitch E4
Program ID: 30, Track: 17time: 00:32 - 05:03
pitch: G#2 - B5
Oboe
7 notes/chords,avg. pitch E5
Program ID: 68, Track: 19time: 00:14 - 00:19
pitch: C5 - G5
-
Electric Guitar (muted)
64 notes/chords,avg. pitch F#3
Program ID: 28, Track: 18time: 00:39 - 02:18
pitch: E3 - A3
Syn Brass 1
59 notes/chords,avg. pitch C5
Program ID: 62, Track: 20time: 03:38 - 03:52
pitch: B3 - C#6
-
Orchestral Harp
401 notes/chords,avg. pitch F4
Program ID: 46, Track: 21time: 00:32 - 05:02
pitch: F#2 - B6
Telephone Ring
12 notes/chords,avg. pitch C7
Program ID: 124, Track: 21time: 00:03 - 00:18
pitch: C7 - C7
Telephone Ring
7 notes/chords,avg. pitch G6
Program ID: 124, Track: 22time: 00:02 - 00:22
pitch: C6 - C7
-
Acoustic Grand Piano
225 notes/chords,avg. pitch F#-1
Program ID: 0, Track: 27time: 00:00 - 05:03
pitch: C-1 - B-1
Acoustic Grand Piano
4 notes/chords,avg. pitch F#1
Program ID: 0, Track: 28time: 00:29 - 05:01
pitch: C1 - B1
Acoustic Grand Piano
6 notes/chords,avg. pitch C#1
Program ID: 0, Track: 29time: 01:05 - 04:40
pitch: F0 - F1
-
percussion instruments
Closed Hi-Hat Open Hi-Hat Crash Cymbal 2
Tracks
31 tracks are used, 27 tracks have notes
# | Name | Channel(s) | Instrument(s) |
---|---|---|---|
1 | 39 <18> /JOY | 2 | Synth Bass 2 |
2 | 50 /归巢撅 | 3 | Synth Strings 1 |
3 | 48 <16> | 3 | Ensemble Strings |
4 | Key-D/R.K/139 | 4 | Clarinet |
5 | 81 <01> | 5 | Lead 2 (sawtooth) |
6 | 80 <02> | 5 | Lead 1 (square) |
7 | 80 | 6 | Lead 1 (square) |
8 | 50 <08> | 6 | Synth Strings 1 |
9 | 60 | 7 | French Horn |
10 | 62 "ATP | 7 | Syn Brass 1 |
11 | 98 | 8 | FX 3 (crystal) |
12 | 55 | 8 | Orchestra Hit |
13 | 30 | 9 | Distortion Guitar |
14 | 29 <65> | 9 | Overdriven Guitar |
15 | 1 | 12 | Bright Acoustic Piano |
16 | 28 <01> | 12 | Electric Guitar (muted) |
17 | 30 <65> | 13 | Distortion Guitar |
18 | 28 | 14 | Electric Guitar (muted) |
19 | 68 | 13 | Oboe |
20 | 62 | 14 | Syn Brass 1 |
21 | 124 <01> /46 | 15 | Orchestral HarpTelephone Ring |
22 | 124 <01> | 15 | Telephone Ring |
23 | DRUMS | 10 | Closed Hi-HatOpen Hi-HatCrash Cymbal 2 |
24 | DRUMS | 11 | Bright Acoustic Piano |
25 | Chord | ||
26 | $GS | ||
27 | $BS | 16 | Acoustic Grand Piano |
28 | $RS | 16 | Acoustic Grand Piano |
29 | $FS | 16 | Acoustic Grand Piano |
30 | $MW |
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